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In the first verse, Rodrigo seeks for an all encompassing love which would fix all of her problems, like an antidote for herself. She’s spiraling as she compares herself to other girls who seem to be having an easier time than she is and she proceeds to blame herself for having done too little, when in reality it's the opposite. In the second verse, she talks about how there's no one out there to ease her troubled mind, and she would rather be on the moon than be on Earth, which serves as a juxtaposing imagery as to how alone she feels. In the chorus, she considers how she ought to be happy. She is with someone who loves her, and who has tried to help. But this other person can’t make her insecurities go away in reality. In the third verse, she describes one of her favourite self-sabotaging games where she used to tally up the body count of her partners until she starts to cry. At this part of the music video, it is seen that there are different nurses curing different illnesses of patients (heart problems and eye issues) which could proceed to be an imagery of her exes with these exact illnesses and how she gave up on a part of herself to support them and be the cure for them. In the last part, the drums finally kick in for the the bridge, and even if Rodrigo hasn’t found any answers, she still proceeds to be the cure for everyone (as shown in the music video where she is snatched out of her own health to heal the six hearts) while she remains without a cure, and vulnerable as she was before. With this understanding, she proceeds to end everything around her for once and for all, as she has come to this personal understanding of moving on. In the music video, this is depicted as her crashing the model of the hospital (which was her hospital for the cure) with her foot and moving away.

In this last track of the album, Polachek proceeds to use the cornucopeiac feeling of abundance throughout. She uses imagery of billions of working angles, incoming messages while sexting, sperms in cum. The image is much more descriptive in the music video with the help of plucking grapes and bathing with the help of a cornucopia horn, and ants. Another topic mentioned in the beginning and towards the end of the track are the rifting frictions of societal expectations in the two genders of male and female, where it is cool to have criminal behaviours and 'bad boy behaviour', while females are always expected to be all-giving, forgiving, and caregiving which still proceeds to be repellent to this day. This imagery is represented in the music video where Polachek becomes the mother figure who teaches the students. In the final moments of the song, a textual synopsis is shown which represents the fact as how we humans should acknowledge this human cornucopia and fight towards change as the capitalist class will never give up their power for the goodwill and liberation of the human society. Hence, it will require unfathomable violence to moralise the world to create a newness which is youness, with the absence of lightning being the moralising missile.